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「同等真迹」的艺术效果


   

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——启功(北京师范大学教授;中国书法家协会主席)

 

    我首先感谢的是各项伟大科学技术的发明,若没有现代先进的摄影、印刷种种技术,也就不会有这些「下真迹一等」、逼真活现的复制品。从文物「价格」上来看,复制品究竟不是原迹,但从他们的艺术效果上讲,应该说是,「与真迹品等」的。

 

    高明的印刷术还能提高现在文物上所存的效果。历经数百乃至上千年之后,原作多已破损,至于颜色灰暗,早已失去了原有的风韵,了这些复制品,缺恢复了原作最初的色泽,简直是整旧如新。

 

    这些作品,虽不见得能够「人手一幅」,但无论是自买、是借观,还是看展览,「晴窗一日百回看」已绝非难事了,因此,从利用价值上讲,它的方便处,已足称「上真迹一等」(乃至若干倍)了!

 

    二玄社把这么些中国古书画加以复制,使它们化身千万,二玄社同仁付出的辛劳,怎能不令人由衷地感谢呢!


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