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——高乐知(科隆大学艺术史研究院教授)

 

    一九七八年秋,当我再国立故宫博物院作客的时候,有机会目睹二玄社对书画名迹的复制作最后的修正。专家组包括印刷技师和科技人员,他们对原作与印在各种纸绢上的原大复制品,进行认真的比较和讨论,有些纸绢还是为这次复制工程特制的。

 

    中国书画名作,在复制前都对其进行反复的探讨,以求逼真;我也有幸参加了讨论。专家们对每一局部都作细心比较,色彩的差别、明暗度更是精微地加以检查。对我来说,那些复制样品,都已达了完美不辨真伪的程度;而印刷专家乃不满足,继续修正。我曾比较过最后几种样品,那真是逼真极了,它们绝对可以作为一些没有机会见到原作或细察局部的教师和学生们做多目的研究之用。

 

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